#Examples of a logline movie
#Examples of a logline series

Save all of that for your TV series pitch bible. And as you draft different versions of your logline to see what verbiage flows and communicates best, remember to avoid elements of supporting characters, B stories, C stories, twists, turns, and reveals. That’s not what is expected of you as a screenwriter.Īnything not central to the core concept of the story - as well as the core character arc introduction of the protagonist(s) - shouldn’t be present. You first have to take the weight off of your shoulders, in regards to the false notion that you have to tell your whole story within one or two sentences.

#Examples of a logline movie

When they are tasked with deciding which coverage to actually read, the logline is the first connection they’ll have with your series.īut what’s the difference between writing a movie logline and a TV series logline? Logline Basicsīefore we get into the subtle but essential differences between feature script loglines and TV series loglines, let’s recap what goes into writing an effective logline. And that is why it is such a vital element of your TV show pitch.Ī strong logline can force an industry power player to take notice. Only the top tier of submissions are passed up to the industry power players - those deemed worthy by receiving the coveted Recommend label from script readers.īut the logline can be a powerful tool to supersede that hierarchical process. There are just too many screenplays and TV pilots out there. Unfortunately, not every screenplay can or will be read by every major decision-maker in the film and television industry - it’s impossible.Īnd even when your scripts go through the Hollywood filtration system of script coverage, where script readers (professional readers, assistants, and interns) are tasked with reading incoming submissions, not every coverage synopsis of those screenplays can be read either. It is the core of your concept, and the introduction of the character arc your protagonist(s) will face. Those 25-50 words found within your logline encapsulate what you - the screenwriter - are trying to sell to production companies, studios, networks, and streamers. Loglines hold much power in Hollywood because they represent the first contact an agent, manager, development executive, producer, director, and actor has with a screenplay that is under consideration. It’s a subtle difference, but one that can significantly benefit the logline of your TV series pitch.īefore we dive in, be sure to mark your calendar for the upcoming deadline for our ScreenCraft TV Pilot Screenplay Competition.

Is there a difference between writing a logline for a feature screenplay and crafting one for a television series?